FIFINE K670/670B USB Condenser Microphone

Pull all features out of the bag for the best sound quality

• Does the full metal construction mean only solid build quality to you? It is actually one of the crucial parts to help achieve good sound quality. Without a shock mount, it may still pick up some booming. But because of the heavy-duty body complementing with an anti-slide stand base, there will be less vibration head.
• So does the height & angle adjustable stand, which gives the flexibility to set a perfect angle and distance. While those two factors is essential to get decent sound quality from a condenser mic.  
• A volume dial on the front comes in super handy for quick adjustments on the fly of streaming or web conferencing. The combination with a headphone monitoring jack is the Ace up your sleeves for recording podcast or voice-over.  
• Lacking a mute button and an output control is a pity, but it is justified by all the other features above and most importantly redeemed by the entry level pricing.

Raise your game with a live monitoring Jack

• We present you with a no-brainer choice. You want a monitoring 3.5mm jack for plugging in your headphone to hear the audio in real-time or to find the best buffer size to reduce latency through trials and errors? 
• Hearing exactly what you sound like to others is important for producing a radio show. Because you can just start self-regulating at the early stage of recording and thus get rid of time-consuming post-production.  
• An output jack also means better connectivity. Hooking up with a computer or mobile (via) a USB adapter, then you can use an audio cable to connect the headphone jack with a camera or digital recorder for recording on various devices.   

• For either a professional condenser microphone or a consumer-level one, noise rejection is not something that can be made a big deal about. Because it is down to the environment. But a lower self-noise level that makes up for the overall noise floor is something that you can expect on this condenser microphone.
• For either a professional condenser microphone or a consumer-level one, noise rejection is not something that can be made a big deal about. Because it is down to the environment. But a lower self-noise level that makes up for the overall noise floor is something that you can expect on this condenser microphone.
• If you play an instrument a lot, the hollow recording will let you down a bit. But in some cases, the rounded low ends can gloss over the scooped sound.  
• The 16mm capsule (2mm larger than the generic models) make your voice appear more engaged in front of the microphone. You do not have to eat into it for the radio podcast sound. 

Features comparison

K670

• No studio bundle
• More keyboard sound concerns
• No pop filter
• Type A output
• Detachable cable
• No mute button
• LED indicator
• Microphone control
• Headphone jack
• 130*48 mm size
• 16 mm capsule
• Mid-ends sensitive
• Voiceover/Vocal

K669B

• No studio bundle
• More keyboard sound concerns
• No pop filter
• Type A output
• Non-detachable cable
• No mute button
• No LED indicator
• Microphone control
• No headphone jack
• 120*48 mm size
• 16 mm capsule
• Low & high ends sensitive
• Podcasting/Sreaming

T732

• Studio bundle
• Fewer keyboard sound concerns
• Flapper pop filter
• Type A output
• Detachable cable
• No mute button
• No LED indicator
• No microphone control
• No headphone jack
• 150*48 mm size
• 16 mm capsule
• High-ends sensitive
• Voiceover

K683A

• No studio bundle
• More keyboard sound concerns
• U-shaped pop filter
• Type C/A combo output
• Detachable cable
• Mute button
• LED indicator
• Microphone control
• Headphone jack
• 140*50 mm size
• 16 mm capsule
• High & mid ends sensitive
• Vocal/Voiceover

Specifications